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The dialogue is often repetitive, and if you aren’t a fan of the specific "taboo" trope, the narrative won't offer much else to keep you engaged. It follows a very predictable internal logic that doesn't deviate from the established formula of the first part.

This is an excellent topic, as family drama is the engine of some of the most compelling literature, film, and television. The key to making it "interesting" rather than just "melodramatic" is The dialogue is often repetitive, and if you

The black sheep returns, but not to apologize. They return because they need something (a kidney, money, an alibi) or because the "good" family is now in shambles and only the "failure" can see the truth. The dialogue is often repetitive