Say, who is equally comfortable improvising jazz as he is playing Mozart concertos, wanted to pay homage to Gershwin while injecting his own unique voice. Gershwin’s "Summertime" from Porgy and Bess (1935) is already a hybrid—a lullaby that blends African American spirituals with Jewish klezmer inflections. Say took this hybrid and grafted onto it the raw energy of Turkish folk dance (the Zeybek ), minimalist repetition, and the angular dissonance of contemporary classical music.
The piece consists of seven variations, each with its distinct character and mood. The structure can be outlined as follows: fazil say summertime variations pdf