But the female gaze is finally getting a budget. The success of Past Lives (directed by Celine Song) and The Lost Daughter (directed by Maggie Gyllenhaal) highlights a crucial trend: the best roles for mature women are increasingly being written and directed by women. Gyllenhaal, an actress who was told she was "too old" to play a love interest opposite a 55-year-old man when she was just 37, took matters into her own hands. She adapted Elena Ferrante, casting Olivia Colman and Jessie Buckley as the same woman at different ages, exploring maternal ambivalence—a topic Hollywood has never known how to sell.
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