The narrative begins not in Arkham, but in a dimly lit, neo-noir version of Gotham City. Dr. Harleen Quinzel—portrayed with vulnerable, wide-eyed idealism—is seen in her apartment, reviewing tapes of The Joker. Instead of a quick seduction, Dezmall’s version takes a slower, more intimate approach. The Joker is never fully shown in clear light; he exists as a voice, a shadow, and a series of violent but persuasive off-screen moments. The “rise” is not a happy empowerment—it is a clinical breakdown of sanity.

Here’s a conceptual take on by Dezmall — imagining it as a dark, cinematic character study or animated short:

: Look for videos using the "CapCut" or "Alight Motion" templates, which are standard for this creator's style.