“You know, there’s this line I’ve been trying to get right for years. It’s about the moment you realize you’re not the only one carrying the weight. I keep writing, keep re‑recording, but something’s always off. Maybe that’s the point—maybe the track never needs to finish. Maybe it lives in the space between the verses we write for ourselves and the ones we share with the world.”

One of his most notable projects is the mixtape "In My Mind," released in 2014, which garnered significant attention and praise from the music community. This project showcased Mensa's ability to blend genres and create a distinctive sound that resonated with listeners.

Released in 2017, The Autobiography represents a pivotal moment in Vic Mensa’s career, transitioning from the experimental energy of his early mixtapes to a structured, narrative-driven studio debut. Executive produced by No I.D., the album serves as a raw, introspective exploration of Mensa’s upbringing in Chicago, his struggles with mental health, and his navigation of systemic injustice.

Need to also consider the target audience—students or scholars in music, cultural studies, or digital media. The paper should balance between cultural analysis of the music and the technical/legal aspects of digital distribution.