Class division is the invisible third passenger in the car. Tenoch and Julio constantly bicker about class without ever naming it. Tenoch mocks Julio’s less lavish home; Julio resents Tenoch’s casual authority. But they are united in their treatment of everyone else—maids, police, peasants—as invisible. Luisa, a Spanish European, is their superior in age and experience, yet she is also an immigrant. The film brutally reveals that the boys’ "solidarity" exists only in isolation. When they finally reach the beach, they discover it is owned by a local fishing cooperative that has been fighting the government’s plans to build a resort. The paradise they sought is someone else’s battleground for survival. The beach’s name, "Heaven’s Mouth" ( Boca del Cielo ), is ironic: it is the mouth that swallows their childhood.

Long before he won Oscars for Gravity and Roma , Alfonso Cuarón utilized long, uninterrupted takes to create a sense of fly-on-the-wall realism. Working with legendary cinematographer , the film captures the raw, dusty beauty of the Mexican coastline.

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, the film utilizes long, sweeping takes and natural lighting. The camera often wanders away from the main characters to capture the landscape and the "real" Mexico, making the environment a character in itself. Naturalism